『Any new lens would be great, but I especially love shooting super wide angle — my main lens on my dSLR has always been the Canon 16–35 f/2.8 or Hasselblad’s 21 mm (16 mm equivalent), and anyone who knows my work knows these super wide angle shots are often the ones I’m most proud of. I often reach for a super wide lens because it naturally captures a strong sense of place, and more layers to a story.

『One thing I love about Apple’s approach to Night mode is the strategic balance of solving a technical problem while also caring deeply about artistic expression. When you look at the image above, it’s clear their team didn’t take the let’s-make-night-look-like-day approach, as some of their competitors have. Instead, it feels more like an embrace of what it actually is (night) while asking, “How do we capture the feel of this scene in a beautiful way?”』