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不過事實上，自從 2019 年的《燃燒女子的畫像》之後，他已經有近三年沒有演出任何新
作品，他最近也在一個訪談中談到了這個決定。







以下附上網址和原文：https://bit.ly/3wxkmFY

“I don’t make films anymore,” said Haenel in a new interview with the
German magazine FAQ. When asked why, she added, “Because of political
reasons. Because the film industry is absolutely reactionary, racist, and
patriarchal. We are mistaken if we say that the powerful are of goodwill,
that the world is indeed moving in the right direction under their good and
sometimes unskillful management. Not at all. The only thing that moves
society structurally is social struggle. And it seems to me that in my case,
to leave is to fight. By leaving this industry for good, I want to take part
in another world, in another cinema.”

“For example, the perspective of women in the films. I tried to change
something from within. When it comes to the MeToo movement, women’s issues
or racism, the film industry is extremely problematic. I don’t want to be
part of that anymore.”

“At first, I thought it looked like a lot of fun: a kind of Luke Skywalker
in space. The problem is that behind this funny facade, it was a dark, sexist
and racist world that was defended. The script was full of jokes about cancel
culture and sexual violence. I tried to discuss it with Dumont, because I
thought a dialogue was possible. I wanted to believe for the umpteenth time
that it was not intentional. But it’s intentional. This disregard is
deliberate. Just as they make fun of the victims, of people in a situation of
weakness. The intention was to make a sci-fi film with an all-white cast –
and therefore a racist narrative. I didn’t want to support this.”

“I want to participate in another world,” she said. “If I stayed today in
this film industry, I would be a kind of feminist guarantee to this masculine
and patriarchal industry. My dream is to make it clear: this industry defends
a capitalist, patriarchal, racist, sexist world of structural inequality.
This means that this industry works hand in hand with the global economic
order, in which all lives are not equal.”

“I don’t want to be part of a feminist washing machine. It’s bullshit,”
she added, citing two more examples of the hypocrisy within: “The director
of the CNC, the French organization for the promotion of cinema, Dominique
Boutonnat, remains in office while he is indicted for sexual assault. But
Thierry Frémaux, from the Cannes Film Festival, puts three women in the 2022
Official Selection, so I am told that this is going in the right direction?
In the sense of being had, yes!”


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